Wednesday, May 5, 2010
John Mcqueen, Asleep at the Wheel, sticks and string
Jennifer Pollock, elecrical wire (haven't been able to find info online)
Martin Creed, Work No. 925, 2008
Martin Creed, Work No. 918, 2008
Martin Creed, Work No. 796, 2007
Lisa Norton, System for Habitable Spaces
Orly Genger, Big Boss, 2010, Rope with latex paint
Orly Genger, Len, 2008
Arte Povera Movement
Sunday, April 25, 2010
Zhang Huan, My America (hard to acclimatize), 1999
"Meat Joy has the character of an erotic rite: excessive, indulgent, a celebration of flesh as material: raw fish, chickens, sausages, wet paint, transparent plastic, rope brushes, paper scrap. It's propulsion is toward the ecstatic-- shifting and turning between tenderness, wilderness, precision, abandon: qualities which could at any moment be sensual, comic, joyous, repellent."
Abromovic, Imponderabilia, 1977
Interview with Abromovic, taken from magazine New York Art, "Provocateur: Marina Abramovic", Karen Rosenberg, Published Dec 4, 2005
How would your work be different if a man performed it?
I really think there’s no difference between an art piece made by a man and one made by a woman. Is it a good art piece or a bad art piece? Of course, if you’re female, you’re maybe dealing with different issues.
Thursday, April 22, 2010
Sites to Consider:
"Paper Under The Knife"
Interview with Andrea Deszo
70 Million by Hold Your Horses
Sunday, February 28, 2010
MANIFESTO OF CARNAL ART
Carnal Art transforms the body into language, reversing the biblical idea of the word made flesh ; the flesh is made word. Only the voice of Orlan remains unchanged. The artist works on representation.
Carnal Art finds the acceptance of the agony of childbirth to be